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How could you?

How could you deceive me like that? How could impersonate the same girl you were three years ago? But no, the fault was not yours, but mine. How could I believe that this smile was sincere? How could I believe that you were again? The friend I knew was lost years ago and I never will. But that afternoon, sitting in the park predicting that the first breezes of autumn arrive at any moment, I smiled as of old, I talked like when we were small and for a moment, a fleeting moment in which a leaf fell from his tree and rested between us, looked at me and thought I saw in your eyes a hint of truth, a glow of innocence that just before I had corrupted. But that moment passed, because time is fleeting and suddenly the brightness is turned off, your smile became in your usual and sneer, you got up and walked away to buy snuff. Since then I never ever have I seen my friend, my sister, my confidante or what was left of it.

Although I'm still waiting to see across the hallways between classes or to find her staring out the window, and every day I seek but never find it, and I'm getting tired of waiting.

'm starting to think that she would never return.

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Review ALBA THE KNIGHT OF HISLIBRIS

Link to critical

THE KNIGHT OF DAWN (CHRONIC FIVE YEARS) - Sebastian Roa
Posted by Josep

Or how throw seven keys to the tomb of Hartzenbusch.

I will go to grain. Is it good? Yes, a lot.

Some time ago I bought a book that, like many others, was on the stack of "outstanding." When that happens, I usually do not review any, because I hate that I recommend a book that I will not be able to buy. And as I read too many books lately late, I make no review, which has led to harsh rebukes of the most industrious hislibreños have reached threatened with expulsion fulminant and irreversible by my laziness. However, I can see that this book is on sale (and 10 euros!), So take the opportunity to wash my honor.

I repeat: how to throw seven keys to the tomb of Hartzenbusch (yes, I know that abuse of the phrase Joaquín Costa). Why do I mention the nineteenth Juan Eugenio?, Because that's what this novel of the Lovers of Teruel. Although, unlike the romantic playwright, who just a few sentences devoted to the adventures of Diego Martínez de Marcilla and reveled in the rough morbo the time of final meeting, this is a historical novel and focuses specifically on the story of events during the five-year deadline set by Mr. de Segura, something already announced in the subtitle successful.

The story begins with the famous lover back counting their sorrows in a gloomy dungeon. The choice of narrator is impeccable. I'm sick of first artificial persons, who are bent on telling that of which the protagonist is not a witness to unbelievable circumlocutions, memories that focus on trivialities impossible to remember, moral anachronisms the character is psychologically deep, long tirades instructive. Diego de Marcilla his memoirs in a first right person, no cheating. His vision of Las Navas de Tolosa is the rightful, including dust cloud, not "bird view" without rambling descriptions of where each unit was beyond the news coming into place, without an attempt to demonstrate that we have studied the diorama, without a bookish child unlikely that tells all as if that is what normal people do during a battle. This pattern continues throughout the novel, although Diego is gaining importance in time to witness makes the situation more and more detailed, however, still can not tell what I know and seeing what is not is within reach. I love that description of Sagunto without saying that Diego is ... because no knows. At the end, however, changes the narrator in a resource already used by other authors (such as Mika Waltari in the siege of Constantinople) to narrate an epilogue that connects us with the best known part of history, avoiding open-ended.

The language used has the right degree of arcaización. It seems that someone is talking to us old, but not exceeded. We have all read imitations of language that make reading time is tedious, even impossible, and it is not easy to find the average. The text of Roa, on the contrary, it reads well and, while we environmental.

literary text quality is also good. Has the right degree of beauty so that we can praise, but not enough to be cumbersome. The dominance of Castilian and wealth is also worth noting.
Rhythm is the corresponding. Anyone seeking action novels that "hooked" from first to last page in a marathon session you may feel disappointed, but it has its high points well proportioned and the interest is maintained throughout the text. The journey of Diego in search of wealth to do so deserve Isabel leads to adventures at the wheel of fortune rises and knocks the hero, and gives us a pleasantly entertaining reading.

The epic feel is right. Flee, as I said, the perfect description of the battles, but the character tells us enough to understand that and, above all, to make us feel on your skin. Las Navas or Muret can be found in any encyclopedia (in the serious, at least), and is not as important as not tell the whole mess up. Roa not tell everything or gaffe: not trying to overwhelm us demonstrate what they know, but it demonstrates what is silent. The run-Muret, especially, may piss off a fan of Peter the Catholic nobility, to which I have presented on occasion as the champion of justice by dying heroically defended their vassals against the overwhelming superiority of the French: for will might not, neither is as fierce as the lion or the chivalrous knight.

Emphasizing the epic sense, this time in smaller scale, I must admit my envy by some ability of the author, Roa is a master at what I'm clumsy: the description of the unique grief. When I see a seal between two swordsmen in a movie, think how hard it must be to bring the choreography to the written word and I admire those who are capable of doing. Well Roa is capable. The feints, shock, motion, immerse you in the moment as the best scene of the best movies.

The characters are believable, adjusted in time, without anachronisms, well built, and a consistent personal development. The character, but too cute for my taste (judging from the passions that up), it is plausible: it is not perfect, not saved miraculously impossible dangers, not always making the right decisions. The secondaries are introduced to their time and fulfill their role.

regard to historical accuracy, knowledge of the time is impeccable, which is more to admire taking into account the variety of scenarios: Teruel, Al-Andalus, Occitan, the Holy Land. The events described have been chosen so that the character to fulfill his five-year adventures, without changing dates or invent falsehoods without licenses. Micro-history (although it escapes an ear) is also correct, and costumes, weapons, food and customs are perfect accurately reflected. You know I have the reputation of "bookish", "thorough" and other epithets (some a little more unpleasant), but stumbled with the name of Alcuin of York (and that's why I wrote it a hundred times, you remember). You all know what limping foot (the left hump me in '90 in a tree pit of Barcelona) and which hand I'm lame. That is, if no protest is because I could not find kits (good ear).

Did I mention that I liked it? For compradla. Factsheet


Title: El Caballero del Alba. Five chronic Years.
Author: Sebastian Roa Mesado.
Editorial: Editors Tremens Librum SL Madrid, 2008.
Paperback, 445 pages.
PVP: 10 euros.

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Award Winners II HdH medieval short stories

is already published the list of lucky. Second Edition and second smash hit of the contest that puts us in trouble a few, but I must say: it does not sting like scabies.

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This year, in addition to Toison editions, editorial also involved ViaMagna, Escritores.org and Mexican poet Salvador Statement, which was taken from the manga some great story lines dedicated to winning. A luxury.

Well: last year were three women who rose to the top three spots. This year we have two . As I said in the blog of Harvey, Stories from the History, you have to put the batteries, boys, that they are sticking very strong in the historical narrative.

The winner of this year has been Mats Mercedes Santos, author of the story Swords Cruces, words. A story that uses the resource of the manuscript found in a very original and, indeed, very English ...

Butterflies and has been called second. The author, Gloria Viviana Aires Echevarría. To emphasize the great sensitivity surrounding this story, both in substance and in form.

a third place in Salamanca, although based in the Madriles, "Manuel Jesus Prieto Martín, with the four Street Cantillo. historical person in trouble historic ... I think this story might be part of something bigger. Cheer up, Manuel.

Outside the podium are other stories that I have to say, I have really enjoyed . Of the finalists, I would like to mention Breath of Truth The secret box of Giotto and Verses. And I'm sure there are others who have not come to read and have captivated me as well. Congratulations to all participants. Congratulations also to stories of history, that is, Javi. You get in trouble giblets, citizen.

:_^_:

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Historical Novel Prize

This weekend we emulated our conquering king, but making their life journey in reverse. Valencia have traveled to Monzón, where the Shire of Middle Cinca and the Centre for Historical Studies of Monsoon we had prepared a surprise: at the foot of his castle, in the House of Culture montisonense, was presented the Award County Historical Novel of the Middle Cinca , in its second edition (2009). The winning work, Blood Revenge, is the novel that I wrote from early 2007 until late 2009 , a little touch football action which starts just after the Sicilian Vespers but finds its core in the events that took place in the first quarter of the fourteenth century.

The basis of this competition are quite restrictive. If I understand correctly, is the contest closes Historical Novel more matter in Spain. In this second edition was required to contemplate the fall of the Knights Templar , given that 2009 marked the 700 th anniversary of the surrender of Monsoon, the last stronghold of the Templars, to the forces of James II of Aragon. Also, of course, that at least part of the plot takes place in the territories of the current Shire of Middle Cinca. It was a real lucky that my Blood Revenge, which had healing as a ham, met the requirements. So there was. To Monzón.

On the left, the castle church. The place where the monks were ordered to warriors is now an audiovisual scene dramatizes the last moments of the parcel over Temple stubborn. On the right, general view of the castle (Artehistoria). Below, Jaime I. tower The surprise visitor wondered how a king could be raised in similar straits.

Awards aside, Monsoon offers the lover of the Middle Ages one of the jewels of our history : Templar Castle, a must. Apart from the stand as the last bastion of order during the unfortunate process that ended with the Knights Templar montisonense strength shows places where he received his education, the most famous king of Aragon, Jaime I. And, something I was unaware, kept within its walls a different story, that of the French who resisted the guns and mines during the English conquest of the castle in the War of Independence.

Below these lines, left, buildings of the refectory and tower. On the right, inside the refectory

As a literary contest, the Jury this year was chaired by and composed Francho Begoña Nagore Sarroca, José Ángel Sánchez, José Antonio Adell, Joaquín Sanz and Jose Galindo. The presidents of both agencies (County and Cehimo), accompanied by the councilman of Culture of the Region, Eduardo Pueyo, and the same Nagore, were the components of the table on which the act was official. The importance of the prize for raising awareness of the region and its history, and to contribute to that much maligned in the past: Cultural. The awards ceremony was enlivened musical and poetic, and a small Templar detachment interrupted the ceremony to witness the presence of former friars, among them Darius English, second prize with his work Non Nobis, Domine. fallen angels. What Darius is 100% effective, novel writing, an award that takes. Are two, and what you rondaré, brunette.

Anyway, very good atmosphere at Monsoon, both during and after the formal act, enjoying the chat d and cold beer. Especially 'm proud, of course , with impressions of Nagore on Blood Revenge , appreciating the level of historical documentation and the "office" with which it is written, and vestiges of nineteenth-century novel and current adventures. was also very pleasant chat with the judges and hear from you to you the impressions of the work reading.

Along these lines, Nagore Francho winner gave the diploma under the watchful eye of several Templars

A very special memory for Gloria House, the hostel where we stayed . Almost seemed that we were still at home, because no one can feel more welcome. Not to mention the beauty of the building and those montisonenses breakfast piece. Strongly recommended.

remains to show what is Blood Revenge. But it is also way. We will not go all at once. Enough to say, despite everything, a novel that transcends the issue of the Templars. Blood Revenge domination is immersed in Mediterranean Crown of Aragon, in the intricacies of the foreign ministry of James II, in the western European environment of the early fourteenth century, especially in the human condition.

Right, Templar board inside the dining hall in the castle of Monzón. Much has been written about these monks warriors in recent times, but so that the most common is automatically associated with the esoteric whimsy, puzzles, conspiracies to overthrow the Church, Mary Magdalene and the rest of the pie. Both the Templars and the relics and are on very medieval superstition, but also can be treated with objectivity.

the news links Ro nda Somontano (revist Somontano to digital Barbastro) , in Diario del Alto Aragón in Radio Huesca and the official website of the Shire of Middle Cinca .